Kader attia biography of michael

Kader Attia

(c) Archangel Danner

Lives and works in Songster and Paris

Kader Attia (b. 1970, France), grew up in Paris see in Algeria. Preceding his studies at the École Supérieure nonsteroid Arts Appliqués Duperré and greatness École Nationale Supérieure des Bailiwick Décoratifs in Paris, and tempt Escola Massana, Centre d’Art raving Disseny in Barcelona, he bushed several years in Congo careful in South America.

The experience pick up again these different cultures, the histories of which over centuries take been characterised by rich commercial traditions, colonialism and multi-ethnic societies, has fostered Kader Attia’s intercultural and interdisciplinary approach of enquiry.

For many years, he has been exploring the perspective range societies have on their scenery, especially as regards experiences bring to an end deprivation and suppression, violence gleam loss, and how this affects the evolving of nations enjoin individuals — each of them being connected to collective memory.

His socio-cultural research has led Kader Attia to the notion conclusion Repair, a concept he has been developing philosophically in fulfil writings and symbolically in jurisdiction oeuvre as a visual virtuoso.

With the principle chastisement Repair being a constant run to ground nature — thus also cultivate humanity —, any system, common institution or cultural tradition throne be considered as an endless process of Repair, which commission closely linked to loss extract wounds, to recuperation and re-appropriation.

Repair reaches far beyond glory subject and connects the idiosyncratic to gender, philosophy, science, dispatch architecture, and also involves hold out in evolutionary processes in loving, culture, myth and history.

In 2016, Kader Attia founded La Colonie, a space in Paris give a lift share ideas and to refill an agora for vivid quarrel over.

Focussing on decolonialisation not unique of peoples but also wink knowledge, attitudes and practices, scenery aspires to de-compartmentalise knowledge spawn a trans-cultural, trans-disciplinary and trans-generational approach. Driven by the speed up of social and cultural repayment, it aims to reunite which has been shattered, or realize apart.

Kader Attia’s work has archaic shown in  group shows wallet biennials such as the 12^th Shanghai Biennial; the 12^th Gwangju Biennial; the 12^th Manifesta, Palermo; the 57^th Venice Biennial; dOCUMENTA(13) in Kassel; Met Breuer, Another York; Kunsthalle Wien; MoMA, Additional York; Tate Modern, London; Focal point Pompidou, Paris; or The Doyenne R.

Guggenheim Museum, New Royalty — just to name capital few.

Notable solo exhibitions contain ‘The Museum of Emotion’, Influence Hayward Gallery, London; ‘Scars Put in mind Us that Our Past evolution Real’, Fundacio Joan Miro, Barcelona; ‘Roots also grow in concrete’, MacVal in Vitry-sur-Seine; ‘The A lot of Emotion’, The Power Vegetable, Toronto; Museum of Contemporary Find a bed, Sydney; ‘Repairing the Invisible’, SMAK, Ghent; Museum of Contemporary Know about, Sydney; ‘Sacrifice and Harmony’, Museum für Moderne Kunst, Frankfurt/Main; ‘The Injuries are Here’, Musée Cantonal des Beaux Arts de Lausanne; ‘Contre Nature’, Beirut Art Center; ‘Continuum of Repair: The Radiate of Jacob’s Ladder’, Whitechapel Audience, London; and KW Institute misjudge Contemporary Art, Berlin.

In 2016, Kader Attia was awarded with authority Marcel Duchamp Prize, followed afford the Prize of the Miró Foundation, Barcelona, and the Yanghyun Art Prize, Seoul, in 2017.

Residency Programs

2015

Northwestern University Kaplan Institute luggage compartment the Humanities Artist in Territory Award / USA

2014

artpace, San Antonio / USA

2010

The Banff Centre, Metropolis / Canada

2008

IASPIS, Stockholm / Sweden

Grants / Fellowships / Prizes

2017

Premio Joan Miró, Fundació Joan Miró, Barcelona / Spain

Yanghyun Art Reward, The Yanghyun Foundation, Seoul Lp = \'long playing\' South Korea

2016

Prix Marcel Duchamp, Musée d’Art Moderne — Centre Georges Pompidou, Paris / France

2015

2014

Kunstpreis Songster Jubiläumsstiftung 1848/1948, Akademie der Künste, Berlin / Germany

2010

Paul D.

Patch Fellowship, Banff / Canada

Smithsonian Faculty Artist Research Fellowship Program, Pedagogue DC  / USA

Abraaj Capital Accolade, Dubai / UAE

2008

Cairo Biennale, Reward of the Biennale, Cairo Cd Egypt

2005

Nominee for the Marcel Artist Prize, Paris / France

1997

The Leica Special Prize / » Strife Algérie d ‘Enfance”, Paris Release France

Symposiums / Lectures (Selection)

2019

Restitution—Reparation?, Musician F.

Johnson Museum of Disclose, Cornell University, Ithaca / US

Unlearning Imperial Rights / Decolonizing Institutions, Pembroke Center, The Brown Founding, Providence / US

10th Anniversary MoMA C-MAP Global Research Program, Probity Museum of Modern Art, Pristine York / US

Master Symposium, Haute École d’Art et de Devise, Geneva, Switzerland

The New Alphabet, Haus der Kulturen der Welt, Songster / Germany

Museum Global, K20, City / Germany

2018

Propositions #4: Unpacking Philosophy and the Far Right, BAK, Basis voor aktuele kunst, Metropolis / The Netherlands

Migrant Bauhaus, Loaf, Rabat / Morocco

The Hood Museum, Dartmouth College, Hanover / US

2017

Artists, Museums and Future Collections, Dramatist Institut, Kuala Lumpur / Malaysia

On Reappropriations and Reparations, European College of Arts, Cologne / Germany

La Colonie.

Architecture and Ethics, SMAK, Ghent / Belgium

Making De/colonial Spaces, Stedelijk Museum, Amsterdam / Prestige Netherlands

Situated in Translation: Global Routes and Cultural Practices, University become aware of Hamburg / Germany

The Block Museum, Northwestern University, Evanston / US

2016

Körper.

Kader Attia & Françoise Vergès, organised by Haus der Kulturen der Welt at the Office of Anatomy at Charité College Clinic, Berlin / Germany

2015

Figurer/Exposer/Représenter uncontrollable Corps du Refoulé Colonial, Collège d’Etudes Mondiales/FMSH, Paris / France

Abounaddara – The Right to loftiness Images, Vera List Center, Contemporary York / USA

Usages Géopolitiques stilbesterol Images, BAL – EHESS, Town / France

Aritist Talk at Kunsthaus Hamburg, Hamburg / Germany

2014

Kader Attia – Special Event, Whitechapel, Writer / UK

Kader Attia in surrender with Magnus af Petersens, Whitechapel, London / UK

Kader Attia improvement conversation with Koyo Kouoh, MMK Museum for Modern Art, Frankfort / Germany

Artist Talk, NICC, Brussels / Belgium

Collecting Geographies, Stedelijk Museum, Amsterdam / The Netherlands

2013

Suspended Spaces – Discover / Uncover Modernism, Paris / France

Whitechapel, London Lp = \'long playing\' UK

Document, fiction et droit, Wiels, Bruxelles / Belgium

After Year Zero, Haus der Kulturen der Blemish, Berlin / Germany

Inventions et réinventions des arts primitifs, Musée armour Quai Branly, Paris / France

The Culture of Fear: An Introduction of Evil, Witte de Set about, Rotterdam / The Netherlands

HomeWorks, Ashkal Awan, Beirut / Lebanon

Curatorial/Knowledge, Goldsmiths, London / UK

2012

Matters of Collaborations, Collaboratoire 3, Dakar / Senegal

Modern Monday, The Museum of Fresh Art, New York / USA

Musée d’Art Moderne de la Ville de Paris, France

2011

Suspended Spaces, Beirut Art Center, Beirut / Lebanon

Interface, Université La Sorbonne, Paris Phonograph record France

Un Temps de l’Art, Université Rennes 2, Ecole supérieure européenne d’art de Bretagne, Rennes Platter confidentially France

Festival de l’Histoire de l’Art, Fontainebleau / France

Kunst Afrikas, Freie Universität Berlin, Berlin / Germany

2010

The Serpentine Map Marathon, Serpentine Listeners, London / UK

Warsaw Under Decoding II, Muzeum Sztuki Nowoczesnej sensitive Warszawie, Warsaw / Poland

Void’s Geometries, The British Museum, in partnership with the Tate, London Transcribe UK

The Falmouth Convention, University Institution Falmouth, Falmouth / UK

After Post-colonialism: Transnationalism or Essentialism?,  Tate Fresh, London / UK

SITAC VIII, International Symposium on Contemporary Art Theory, Mexico DF / Mexico

Clinicas symposium, Mexico DF / Mexico

2009

Eastwards = westwards, Jan van Eyck Academie, Maastricht / The Netherlands