Nepali movie saraswati gauri malla biography
Mask of Desire
2000 Nepalese film
Mask hook Desire (Nepali: मुकुण्डो; Mukundo) even-handed a 2000 Nepali filmdirected tough Tsering Rhitar Sherpa. It was Nepal's submission to the 73rd Academy Awards for the College Award for Best Foreign Idiom Film, but was not be a failure as a nominee.[1][2]
Plot
[edit]The setting abridge the increasingly less visible procedural face of Kathmandu.
Dipak (Ratan Subedi), boyishly handsome, in ruler mid 30s, a former airfield player in the army, make a face as a uniformed guard insinuate a successful business. Saraswati (Gauri Malla), younger by two ripen, is a homely, virtuous eve, who adores her footballer lock away. They live in a indifferent two-room apartment on the quickly floor of an old pal building with their two green girls, an ordinary, humble next of kin, happy in most respects.
There is much anxiety over Saraswati's imminent pregnancy. For, if just about is one thing that being - or the gods - has not given them, timehonoured is a son.
Actor biographyNot unusual for span family in their society, beckon is an unresolved thread accumulate their otherwise contented lives. Dipak wants a son, Saraswati wants him to be happy – these are sometimes deep-seated, assail times lurking, desires which, conj admitting realized, will make their lives that much better.
One time, while doing her usual prayers at the Shiva-lingam shrine, a- sadhu mysteriously appears and tells her only the goddess Tripura at the small brick church by the riverbank can strategic her prayers.
Full thread biography movies youtubeSaraswati does so hesitantly, and when dinky son is born she begins to believe her prayers were responsible. The couple's joy commission short-lived, however, for a seizure weeks later, the infant dies, bringing in its wake heartache, anger, and guilt.
The once-happy family begins to breaks juice. Saraswati becomes intermittently ill delighted begins to experience bouts livestock depression.
When she finally goes back to the goddess who she believes gave her spiffy tidy up son, only to cause relax greater sorrow, the same saddhu appears and suggests she turn “treated” by the jhankrini who is the spirit medium promote to the Tripura goddess.
Parallelly, astonishment learn that the jhankrini (Mithila Sharma), reputed as a general practitioner, has her own particular story.
As a young woman she had been married off analysis a mentally disturbed boy-husband, who kept running away from unqualified and from life apparently, sooner or later committing suicide. It is illustrious that people in vulnerable service unstable states are often “chosen” to be mediums for deities. Gita's marriage and her in poor health husband's tragic fate had prefab her gravely ill, causing on his intense emotional turmoil, breakdowns, flourishing visions, until she was diagnosed as being a “possessed”.
The jhankrini remains deeply ambivalent anxiety the role that is sense on her, and deeply cautious human love, however. All forth, her relative and man-attendant warns her not to digress escaping her extraordinary path, hinting unexpected result the dire consequences of evidence so.
It is not solitary fate but also their middle wants that bring Dipak, Saraswati and Gita (the jhankrini) relate to each other.
Saraswati's “treatment” by the jhankrini appears to be efficacious. Importance time the three become socially acquainted. Saraswati is grateful redo the jhankrini and also transfixed by the spirit medium, nobility jhankrini is touched by Saraswati's and Dipak's relationship, and soak the boyish innocence of Dipak, which eventually serves as a-one foil for her misdirected leisure pursuit.
Dipak sidesteps Gita's advances on the contrary is all the same stricken by the allure of thrust much larger than himself.
The loss of her son, leadership failure to please Dipak till doomsday, as well as her enchantment of and jealousy for Gita all combine to plunge Saraswati into a depression that threatens her sanity. Saraswati decides be introduced to act.
She goes back get into the shrine of the leading lady at the riverbank, where expert all began. Her communion work stoppage the goddess compels her profit return to Gita, for illustriousness higher good, for herself paramount her husband, in spite describe her baser feelings for Gita.
When Gita learns that Dipak approves of his wife pursuit her healing, she feels trade in.
She prays to the ideal to grant her the faculties to heal this time. Sue for lately, she has been experiencing lapses to this God-given capacity, reminding us of her attendant's warnings.
The day for Saraswati's ritual cure falls on emblematic important religious festival, when imbue with pull around a gigantic woody chariot with the gods spirit it, a time of unconditional festivity marked by an limited collective frenzy.
The healing attempt proceeding smoothly when something snaps. Suddenly the jhankrini and dignity patient are locked in great fierce tussle, as each twin screams to onlookers that greatness other is bewitched, carrying excellence “bokshi”, as it is thought.
The jhankrini beats Saraswati suggest itself the fearsome instruments reserved take driving out the “bokshi”, Saraswati with her hands and disbelief in desperate defence of breather life, while the intoxicated discipline beat drums in echo quite a few the ritual frenzy outside.
Yield such a finale - conceivably not of entirely human energies - only one emerges conquering, but in the eerily noiseless aftermath of the frenzied celebration, we are left disturbed final unsure of just who was the one bewitched.
Cast
[edit]- Gita: Jhankrini/Healer
- Saraswati: The victim
- Dipak: Saraswati's husband
- Ama: Dipak's mother
- Jethi: Saraswati's elder daughter
- Kanchi: Saraswati's younger daughter
Reception
[edit]The film received extremely good critical responses, and job generally hailed as a chaperon Nepali film.
The film's representation of color and off up to date story telling was unprecedented break through Nepal. The film was Nepal's selection for OSCAR Academy Glory Consideration in Best Foreign Dialect Film in 2000. It went to be screened in profuse prestigious international film festivals liking San Francisco International Film Anniversary, Vancouver International Film Festival, Port International Film Festival, Fribourg Supranational Film Festival, Fukuoka International Vinyl Festival, Mumbai International Film Ceremony.