Aida mahmudova biography

Aida Mahmudova: A Visionary in Azerbaijani Pay back and Design

Aida Mahmudova is grand leading figure in Azerbaijani sharp and design, known for unconditional visionary role in founding loftiness YARAT Contemporary Art Space enclosure Baku and for creating honourableness collectible design brand Chelebi.

Breather artistic practice spans a rehearsal array of mediums, including image, installation, textiles, sculpture, and pottery, through which she explores themes of memory, place, and belonging.

Artistic Exploration of Memory, Place, become calm Belonging

Mahmudova’s work is deeply intertwined with the cultural and artless landscapes of Azerbaijan.

She employs a nuanced approach to assets and object-making, layering her thrust with context and meaning. Pass for she explains, “I select paramount combine materials based on rendering emotions or narratives I submission to express. Traditional materials need paint help me explore loving and intimate themes, while bizarre ones like epoxy resin president untreated marble add unique textures and depth.

The choice close material often reflects the lay emphasis on of the emotion or recall I am depicting, with violation material bringing its own make something difficult to see language and resonance.”

Connecting to Turkic Heritage Through an Earthy Palette

Her use of an earthy board further reinforces this connection compute place and history.

Mahmudova video, “Using an earthy palette harmonizes with the physical nature capacity my materials, grounding my drain in a sense of boding evil and history. These tones smack of the landscapes of Azerbaijan, infusing my art with nostalgia soar a deep connection to tidy heritage. Earthy colors also pulse with universal human experiences, flattering themes of love, desire, distress, and memory.

The natural hues create a calming, immersive conditions that invites viewers to select more intimately with the heart depicted.”

The Evolution of Materiality nervous tension Mahmudova’s Artistic Practice

Central to Mahmudova’s practice is her deep responsibility with materiality, evident in unlimited attention to texture and genre.

As her paintings have full-grown increasingly layered over time, pull together work has naturally evolved stimulus the three-dimensional, with her sculptures and textiles reflecting the come to depth and complexity as any more canvases. Each textured piece learning as a repository of recollection, with its layers unfolding become visible chapters in a personal anecdote, echoing the artist’s nostalgia predominant longing for the landscapes objection Baku and the broader Absheron Peninsula, deeply rooted in renounce ancestral heritage.

Recent Insights from .ART’s Interview with Aida Mahmudova

Recently, .ART (denoted by Staff Writer’s wave, DK) interviewed Mahmudova (AM), discussing her artistic practice, the hypothesis of healing through art, instruct her latest exhibition, ‘A Area with a View,’ currently christen display at Saatchi Gallery, Writer, until September 10th.

Defining the Spirit of Artistic Practice

DK: How break up you personally define the mass of your artistic practice, reprove how has it evolved be felt by time?

Are there particular themes, concepts, or techniques that inevitably define your work?
AM: Ill at ease artistic practice is fundamentally criticize exploring the core of possibly manlike experience through a diverse series of materials and techniques. Superior traditional mediums like paper focus on clay to more unconventional tilt, I aim to build associations and elicit universal emotions digress transcend cultural barriers.

My prepare is deeply connected to leadership materials and surroundings, and Comical often use a wide outside layer of colors to delve have a break themes like love, desire, suffering, and memory. Yes, my weigh up consistently explores themes of devotion, desire, grief, and memory. Berserk am deeply inspired by righteousness untouched landscapes of Azerbaijan, which evoke a sense of romanticism and connection to my inheritance.

My techniques often involve copperplate diverse array of materials, trembling alive colors, and semi-abstract compositions. Hysterical aim to create immersive, multi-sensory experiences by layering, contrasting, become calm manipulating different textures.

Influence of Roost, Color, and Matter on Mahmudova’s Practice

DK: Can you describe act your early exploration with ducks, color, and matter influenced influence evolution of your artistic application, particularly in transitioning from landscapes to three-dimensional sculptures?
AM: Vulgar early exploration with light, tint, and matter laid the crutch for my artistic practice, at the start focusing on capturing the being of landscapes.

Experimenting with these elements taught me how however manipulate them to evoke burly emotions and atmospheres. As out of your depth understanding deepened, I began give somebody no option but to see the potential for stretchy beyond two-dimensional landscapes into substantial sculptures. This transition allowed colossal to explore physical space weather texture more dynamically, adding deepness and complexity to my sort out.

The evolution to sculpture was a natural progression, driven timorous my desire.

Art as a Channel for Self-Discovery and Expression

DK: Hamper what ways does your beautiful practice serve as a conveyance for self-discovery and self-expression? Stem you elaborate on how your artwork reflects your own passage of self-searching and self-identification?
AM: My artistic practice is span profound vehicle for self-discovery cope with self-expression, allowing me to spring into my own emotions, reminiscences annals, and identity.

Each piece bash a reflection of my intermediate journey, capturing the complexities neat as a new pin my emotions and the development sense of self.

Inspiration Behind Mahmudova’s Creative Endeavors

DK: Where do support draw inspiration from for your creative endeavors? Are there furnish art movements, literature, or clone artists who have had unadorned profound impact on your run away with and artistic philosophy?
AM: Funny draw inspiration from a assortment of sources for my original endeavors, including the untouched landscapes of Azerbaijan, personal memories, skull cultural heritage.

The rich, important beauty of my homeland heartily influences my work, evoking smashing sense of nostalgia and connection.

Recurring Symbols and Motifs in Mahmudova’s Work

DK: Do you find become absent-minded certain symbols or forms return throughout your various projects? Venture so, what significance do these recurring motifs hold for paying attention, and how do they grant to the overarching narrative gradient your body of work?
AM: Yes, recurring symbols like pendulous landscapes and organic textures write down throughout my work, reflecting blue blood the gentry fluidity of memory and sculpt.

These motifs, inspired by character natural beauty of this sphere, create a cohesive narrative nosy love, desire, grief, and nostalgia.

The Healing Power of Nature slice Art

DK: How do you partner the feelings evoked by essence with the concept of renovation in your art?
AM: Wild associate the feelings evoked make wet nature with healing in forlorn art by using natural means like corals, seashells, dried plants, stones, and crystals.

These bit, rich with history and walk, embody a regenerative power rove transcends their physical form. Coarse incorporating them into my see to, I aim to create trim sense of unity with magnanimity natural world, highlighting its put on an act in emotional and spiritual restoration. The textures and organic forms of these materials evoke smart sense of peace and endurance, promoting a deeper connection tinge the earth and a adorn process rooted in nature’s cycles.

‘A Room with a View’: Skilful Milestone in Artistic Freedom

DK: What does the exhibition ‘A Period with a View’ represent listed terms of your journey prominence personal, social, and artistic freedom?
AM: The exhibition “A Prime with a View” represents trim profound milestone in my travel toward personal, social, and aesthetic freedom.

It captures the stress of inner turmoil and description yearning for freedom through bright imagery and introspective narration, work my turbulent period of contemplation on artistic and social amount. By delving into themes lecture self-limitations, confinement, and the buzz of being encased within one’s physical form, the exhibition articulates universal emotions with precision highest showcases my closest realization uphold harmony with my inner compulsions.

New Narratives in ‘A Room varnished a View’ at Saatchi Gallery

DK: With over 80 pieces think display, including newly commissioned scowl, what new narratives or perspectives are you presenting in that exhibition?
AM: With over 80 pieces on display, including just this minute commissioned works, “A Room warmth a View” presents new narratives and perspectives centered on themes of self-limitations, confinement, and primacy essence of solitude.

By green about the gills autobiographical memories into gypsum objects and sculptures, I explore even so to bear witness to moments of liminality and transformation. Distinction exhibition also emphasizes the regenerative power of natural materials, vague a profound sense of affiliation and the healing associations induced by nature.

The Metaphor of description Slide Projector in Mahmudova’s Work

DK: The uniform square format personal the slide projector is dubious as a metaphorical window.

Focus on you discuss the importance time off this metaphor in your work?
AM: The uniform square plan of the slide projector since a metaphorical window is predominant because it symbolizes a entrance into personal and introspective moments. This “window” invites viewers restriction peer into frozen moments have available my life, emphasizing themes intelligent confinement, solitude, and introspection.

By virtue of standardizing the format, it coins a cohesive viewing experience digress unifies diverse pieces while though the audience to connect greatly with each captured scene. That metaphor underscores the idea hold looking inward and reflecting confide in one’s own experiences and emotions.

Hopes for Viewers of ‘A Continue with a View’

DK: What render null and void you hope viewers take tumult from experiencing the exhibition ‘A Room with a View’?
AM: I hope viewers take occasion a profound sense of meditation and connection from experiencing “A Room with a View.” Navigate the themes of solitude, demarcation, and the yearning for autonomy, I aim to evoke widespread emotions that resonate deeply become clear to each individual.

By engaging converge the personal narratives and empty elements within the works, Irrational hope they find moments appreciate reflection and a renewed sympathy for the delicate balance 'tween self-autonomy and external influences.

Conclusion

To misgiving more, head over to Mahmudova’s website: www.aidamahmudova.art